L—O—N—GJulianne Neely
Pheidippides, rise!
a new cadence
the void is not something created
male elites
dreading the void
avoid coming to and entering it
2,500-year-old man
if the heart explodes, then
tear, tug, wail, roar, cry,
I, I, I, I, I,
writing motion as feminist space
a lot of people do not care
I might not either
refusing the syntactic, mythic,
and thematic models
verse that grants itself agency
any long-drawn out activity is called
a marathon, colloquially
it is eerie to know yourself
for instance, to watch
your protein synthesize in a way
greater than its breakdown
did Pheidippides die with grace
is the question I ask but
history avoids the answer
I put on my sports bra
this is a moment that does not warrant critical attention
it was the year 490 BC
a lot of battle
it is hard not to have a preconceived sense of
my limitations
where endurance begins
and never ends
my standard for new poems are rigorous
I long for a new cadence
woman constructing linguistic map
a route to
a precise moment in history
a precise moment
in a personal life
some say delusional
that goes beyond language
into a subtle dimension
of impractical mysticism
nobody is
the protagonist though many
believe they are
the lyrical I
in what becomes for the poet a signature poetic gesture,
I long for meaningful communication
it was 150 miles from Athens to Sparta
reiterated in lines
that traverse out existential loneliness
Pheidippides did it in 48 hours
nineteen minutes per mile pace
embodied self-reliance
hard-wrought transformation
of isolation into solitude
I really love being
alone for most hours of the day
thinking and repeating depictions of a sustained moment of consciousness
the modern marathon
race to commemorate something
the way poems stir women and women
the messenger was killed
the heart fails
under extreme duress
body language
ironically necessary
he left at daybreak
I make sure everyone is gone by daybreak
the poet rewrites versions of the same poem,
fairly flat, fertile country
skeletal forms
thence along the river
I see it as a poem I had been building towards,
a summation
stony paths followed
in some respects, this is my most personal poem to date
the remainder of the run is uncertain
did he even once stop for water
without hydration
the body cannot regulate its temperatures
the heart works harder to pump blood
in a search
for language to register complex
emotion
it is not uncommon for long distance runners to collapse
and die after an arduous run
what dictates
that women must see each other
as competitors the speaker refuses
Pheidippdes, speak!
he said so many things
I refuse to adhere
to traditional adages that split
women from each other
a slip of the tongue
joy to you, we’ve won
the right to become a metaphor
for institutionalized fear
joy to you
if the poem takes striking and semantic syntactic risks
joy we win
compromising my craft
we win
meticulously selecting each word
hail we are the winners
a language and form stripped bare
you play the game to
lose your balance
fail to keep duration
check your heart rate you just might not be alive